Tomáš Absolon’s paintings straddle the border between abstraction and typography, symbols of visual communication, signs, or fragments of reality in general.
Although recognizable motifs form points of reference for our perception, they detach from their original contents and ambiguous models, and without their contexts of meaning, they form empty shells that captivate primarily through their visually abstracted form. Absolon is inspired by the aesthetics of posters, which can be a rich source of typographic and compositional motifs. The artist himself claims that thinking of the images as posters gives him certain rules and limits to guide him through the painting. Ambiguity and maneuvering on the border is also characteristic of Absolon’s formal style. He reaches the boundary of post-internet aesthetics, or the digital milieu, which he convincingly imitates with classical painting techniques, while always turning his attention back to the medium through the localized use of gestural brushstrokes. Absalon graduated from the drawing studio headed by Jiří Petrbok at the Academy of Fine Arts in Prague and is currently completing his doctorate in the painting studio of Luděk Rathouský at the Faculty of Fine Arts of the Brno University of Technology.
He regularly exhibits in independent and commercial galleries, and he has held numerous exhibitions in Mallorca, Spain, where he lived for several years. His work is represented in many private collections in the Czech Republic and abroad.
Tomáš Absolon’s paintings straddle the border between abstraction and typography, symbols of visual communication, signs, or fragments of reality in general.
Although recognizable motifs form points of reference for our perception, they detach from their original contents and ambiguous models, and without their contexts of meaning, they form empty shells that captivate primarily through their visually abstracted form. Absolon is inspired by the aesthetics of posters, which can be a rich source of typographic and compositional motifs. The artist himself claims that thinking of the images as posters gives him certain rules and limits to guide him through the painting. Ambiguity and maneuvering on the border is also characteristic of Absolon’s formal style. He reaches the boundary of post-internet aesthetics, or the digital milieu, which he convincingly imitates with classical painting techniques, while always turning his attention back to the medium through the localized use of gestural brushstrokes. Absalon graduated from the drawing studio headed by Jiří Petrbok at the Academy of Fine Arts in Prague and is currently completing his doctorate in the painting studio of Luděk Rathouský at the Faculty of Fine Arts of the Brno University of Technology.
He regularly exhibits in independent and commercial galleries, and he has held numerous exhibitions in Mallorca, Spain, where he lived for several years. His work is represented in many private collections in the Czech Republic and abroad.
© 2024 Superpositions.cz
Designed by publikum.design
© 2024 Superpositions.cz
Designed by publikum.design
Do not hesitate to get in touch:
hello@superpositions.cz
+420 608 438 723
Superpositions
Antonín Jirát,
Na Ovčinách 970/4,
Prague, 170 00
Czech Republic
IČO: 01168711
Do not hesitate to get in touch:
hello@superpositions.cz
+420 608 438 723
Superpositions
Antonín Jirát,
Na Ovčinách 970/4,
Prague, 170 00
Czech Republic
IČO: 01168711
Sign Up for Newsletter
Sign Up for Newsletter